By Wyatt Mason for NYTimes
Late in August, as a shadow 70 miles wide was traveling across the United States, turning day briefly to night and millions of Americans into watchers of the skies, the British classicist Emily Wilson, a woman of 45 prone to energetic explanations and un-self-conscious laughter, was leading me through a line of Ancient Greek. “Polytropos,” Wilson said, in her deep, buoyant voice, pointing to the fifth word — πολuτροπον — of the 12,110-line epic poem that I had come to her office at the University of Pennsylvania to discuss. On the wall hung pictures of Wilson’s three young daughters; the windows behind her framed a gray sky that, as I arrived, was just beginning to dim. The poem lying open before us was Homer’s “Odyssey,” the second-oldest text, after his earlier poem, the “Iliad,” in a Western tradition impossible to imagine without them.
Since the “Odyssey” first appeared in English, around 1615, in George Chapman’s translation, the story of the Greek warrior-king Odysseus’s ill-fated 10-year attempt to return home from the war in Troy to Ithaca and his wife, Penelope, has prompted some 60 English translations, at an accelerating pace, half of them in the last 100 years and a dozen in the last two decades. Wilson, whose own translation appears this week, has produced the first English rendering of the poem by a woman.
“One of the things I struggled with,” Wilson continued, sounding more exhilarated than frustrated as she began to unpack “polytropos,” the first description we get of Odysseus, “is of course this whole question of whether he is passive — the ‘much turning’ or ‘much turned’ — right? This was —”
“Treat me,” I interrupted, “as if I don’t know Greek,” as, in fact, I do not.
“The prefix poly,” Wilson said, laughing, “means ‘many’ or ‘multiple.’ Tropos means ‘turn.’ ‘Many’ or ‘multiple’ could suggest that he’s much turned, as if he is the one who has been put in the situation of having been to Troy, and back, and all around, gods and goddesses and monsters turning him off the straight course that, ideally, he’d like to be on. Or, it could be that he’s this untrustworthy kind of guy who is always going to get out of any situation by turning it to his advantage. It could be that he’s the turner.”Emily Wilson, new york times, Odyssey
Categorised in: Feminist News